Electric Light Orchestra II


Electric Light Orchestra II
CD on Amazon.com
Released: 1972, February
Average rating: Based on DM and site visitor ratings
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  In Old England Town (Boogie 2) (Lynne) - 6:54  
  Mama (Lynne) - 7:03  
  Roll Over Beethoven (Berry) - 8:10  
  From the Sun to the World (Boogie 1) (Lynne) - 8:22  
  Kuiama (Lynne) - 11:19  


Jeff Lynne - Synthesizer, Guitar, Keyboards, Vocals, Moog Synthesizer, Producer
Michael d'Albuquerque - Bass, Vocals
Bev Bevan - Drums, Vocals
Michael Edwards, Mike Edwards, Colin Walker - Cello
Wilfred Gibson - Violin
Richard Tandy - Synthesizer, Guitar, Piano, Harmonium, Keyboards, Vocals, Moog Synthesizer
Mike Alberquerque - Bass, Vocals
Mike Salisbury - Art Direction
Al Vandenberg, Marty Evans - Photography
Lloyd Ziff - Design


Site visitor reviews
6/10 Hernan Bastias (February 8, 2003)
Cut during the fall of 1972, Electric Light Orchestra II was where Jeff Lynne started rebuilding the sound of Electric Light Orchestra following the departure of Roy Wood from the original lineup. It was as personal an effort as Lynne had ever made in music, showcasing his work as singer, songwriter, guitarist, sometime synthesizer player, and producer, and it is more focused than its predecessor but also retains some of the earlier album's lean textures. Lynne, drummer Bev Bevan, bassist Mike D'Albuquerque, and keyboardist Richard Tandy comprise the core of the band, with two cellists and a violinist sawing away around them. There were holes in their sound that made the group seem somewhat ragged, as on the pounding "In Old England Town (Boogie #2)"; Lynne's singing would also have to develop, and some of the material also showed the need of an editor. On the other hand, "From the Sun to the World (Boogie #1)" was a succinct progressive rock workout, and "Kuiama" was a decent showcase for the different sides of the group that worked about as well as any 11-minute progressive rock track of the period. But the very fact that the group's cover of "Roll Over Beethoven" was the hit off of this album also showed how far Lynne had to go as a songwriter - there's nothing else here one-half as good as that as a song, and the fact that the band attacked it like a buzzsaw made it one of the most bracing pieces of progressive rock to make the charts. As a patchwork job, the album holds up well, and it and the single did go a long way toward getting them the beginnings of an audience in America. [Note: In 1999, British EMI reissued E.L.O. 2 (as it is known in England) in an upgraded, remastered version that sounds infinitely better than the extant American CD, with textures so close that you can actually hear the action on the cellos; make out the individual notes in Lynne's high-speed, high-volume guitar solo in the final two minutes of "From the Sun to the Moon"; and hear the action on the bass, guitar, and drums on "Kuiama" (with the violin and grand piano sounding like they're in the room with you), among other delights. Add an extra star to the rating for that version, which is well-worth tracking down.]

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